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・ Pablo Torres Tapia
・ Pablo Torresagasti
・ Pablo Torrijos
・ Pablo Trapero
・ Pablo Trejo Pérez
・ Pablo Trobbiani
・ Pablo Troise
・ Pablo Tusset
・ Pablo Uranga
・ Pablo Urdangarín y de Borbón
・ Pablo Uribe
・ Pablo Urtasun
・ Pablo Usoz
・ Pablo Valcarce
・ Pablo Valencia
Pablo Valenzuela
・ Pablo Vargas
・ Pablo Vegetti
・ Pablo Velázquez
・ Pablo Verani
・ Pablo Vergara
・ Pablo Vicente de Solá
・ Pablo Villa
・ Pablo Villalba Fretes
・ Pablo Villalobos
・ Pablo Villamar
・ Pablo Visconti
・ Pablo Vitti
・ Pablo Vizcaíno Prado
・ Pablo Vranjicán


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Pablo Valenzuela : ウィキペディア英語版
Pablo Valenzuela

José Pablo Valenzuela García (2 March 1859 – 25 December 1926) was a leading Cuban cornetist, composer and bandleader.
García was born in San Antonio de los Baños. After taking his first lessons in music under his father Lucas, he moved to Havana. There he first joined the orchestra of Manuel Espinosa, before joining ''La Flor de Cuba'', the leading band of the day. This had come under the direction of his brother Raimundo after the death of its founder, and at some stage the name was changed to ''Orquesta Valenzuela''.〔Orovio, Helio 2004. ''Cuban music from A to Z''. p222〕〔Giro, Radamés 2007. ''Diccionario enciclopédico de la música en Cuba''. La Habana. vol 4, p258〕
Raimundo died in his fifties in 1905, after which the band was under Pablo's direction. Now it was possible for Cuban bands to record their music, and the ''Orquesta Valenzuela'' was one of the earliest to take advantage of the opportunity: they recorded about 120 numbers. In 1906 there were 40 recordings on Edison cylinders; in 1909 23 numbers for Columbia Records, and 56 numbers with Victor Records.〔The 1909 number ''Mamá Teresa'', and ''El garrotín'' (1913), both Pablo Valenzuela compositions, were reissued on ''Harlequin'' LP HQ2025 (HQ CD23). Their musical quality is excellent; Valenzuela's cornet is impressive. Díaz Ayala, Cristóbal 1994. ''Cuba canta y baila: discografía de la música cubana 1898–1925''. Fundación Musicalia, San Juan P.R. p155 et seq.〕〔Arhoolie/Folklyric CD 7032 ''The Cuban danzón: before there was jazz: 1905–1929'' offers one more number on Edison cylinders, 1906, and two more on Columbia, 1909.〕 The last recordings were in 1919; there were about 120 numbers in all, most of which were danzones. Of his compositions, some became lasting hits: ''Coco seco'', ''El congo libre'', ''La frita'', ''La niña'', ''La Patti negra'', ''María Teresa'', ''El garrotín''.
The band dispersed after Pablo died, aged 67, in Havana in 1926.
== References ==




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